Leonora/Leonardo
In 1490, Leonardo da Vinci delved into the architect Vitruvius' theory on human movement within circles and squares, blending the human form with geometry.
He used male models and cadavers to study and highlight the “ideal body”, emphasizing perfect proportions akin to human anatomy. This exploration, rooted in the belief that "man is the measure of all things" as the philosopher Protagoras said.
This belief impacted the understanding of the female body, historically overshadowed by the male perspective.
This series challenges the traditional focus on the Vitruvian man, now exploring anatomy through abstract, expressive strokes with a queer approach.
Imagine if Vitruvius had been a woman and Leonardo had been Leonora – how would this have shaped our world?

Leonora/Leonardo I, acrylic and polymer on canvas, 150x130cm, 2024

Leonora/Leonardo II, acrylic and polymer on canvas, 70x90cm, 2024

Leonora/Leonardo III, acrylic and polymer on canvas, 70x50cm, 2024

Leonora/Leonardo IV, acrylic and polymer on canvas, 90x70cm, 2024

Leonora/Leonardo V, acrylic and polymer on canvas, 80x60cm, 2024

Leonora/Leonardo VI, acrylic and polymer on canvas, 70x50cm, 2024

Leonora/Leonardo VII, acrylic and polymer on canvas, 70x39cm, 2024

Leonora/Leonardo VIII, acrylic and polymer on canvas, 60x39cm, 2024

Leonora/Leonardo IX, acrylic and polymer on canvas, 39x67cm, 2024

Leonora/Leonardo X, acrylic and polymer on canvas, 30x30cm, 2024

Leonora/Leonardo XI, acrylic and polymer on canvas, 90x140cm, 2024

Leonora/Leonardo XII, acrylic and polymer on canvas, 50x100cm, 2024

Leonora/Leonardo XIII, acrylic and polymer on canvas, 30x30cm, 2024

Leonora/Leonardo XIV, acrylic and polymer on canvas, 70x35cm, 2024

Leonora/Leonardo XV, acrylic and polymer on canvas, 35x30cm, 2024

Leonora/Leonardo XVI, acrylic and polymer on canvas, 140x120cm, 2024

Leonora/Leonardo XVII, acrylic and polymer on canvas, 130x100cm, 2024

Leonora/Leonardo XVIII, acrylic and polymer on canvas, 90x90cm, 2024